our story
What makes something dangerous
A world where danger and desire are inseparable, the DangerVerse is an artistic vision where captivating sirens move through an enigmatic environment inspired by the stylish realms of neo-noir and action-packed cinematic masterpieces. In this mysterious domain, the allure of a woman's body possesses an unrivaled power that drives the heart of the DangerVerse narrative.
As the American conceptual artist and visionary behind the DangerVerse, I, Andy H. Tu, have crafted an anthology of erotic tales and imagery that respects the neo-noir comic book tradition while carving out its own distinctive path. This universe embraces elements of Japanese culture, such as Samurais, Yakuzas, and mid-century architectural design, but stands proudly as its own creation, filled with a rich tapestry of diverse subcultures and stories.
Danger City, a place where danger oozes from the shadows between towering skyscrapers, serves as the nexus of these tales. Here, the enigmatic Danger Girls, each with their own desires, loves, motivations, and backstories, wield their seductive and deadly allure. These dangerous women, with their perilous curves and intoxicating sexuality, embody the essence of the DangerVerse.
My ambition is to create a living, breathing universe filled with interconnected stories and characters, all converging in the realm of erotic art. By embracing various mediums, such as photography, concept art, web comics, and potentially films, the DangerVerse will cater to a mature audience who craves an immersive experience.
Though the dream of a virtual reality world lies on the horizon, for now, the DangerVerse will take root in the form of erotic photography, accompanied by evocative stories and comic art. This multi-faceted approach allows the world to expand organically, offering endless opportunities for growth and exploration.
So, take a chance and step into the DangerVerse - a world of sin, lust, and danger that will captivate and enthrall you. The journey is just beginning, and there's no telling where the treacherous curves of the Danger Girls might lead.
about ANDY h. tu
An artist's work is never done.
One of the greatest lessons I learned about art was during my freshman year at AAU. As a young artist, I was not confident in my abilities and tended to overwork my art. One of my professors, Henry Chan, pulled me aside and told me how to stop.
He explained that in time, I would develop enough self-knowledge to know when I was done with the art, rather than when the art was done. For now, I should move on to a new project and churn out as much work as possible – practice makes perfect, after all.
It was wise advice, and as 18-year-olds often do, I ignored it, ‘perfecting’ and thus destroying several more pieces of art before I came around to his point of view.
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